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Photo Essay
LIVELIHOODS
Coal chronicles
As India strides towards green energy, Angul’s miners, dispossessed of land and now livelihood, grapple with the bitter legacy of progress.
Jennifer Kishan
Photo Essay
A Pongal unlike any other: Celebrating unity beyond caste and creed in Meivazhi Salai
The Tamil harvest festival served as a poignant event wherein unity and diversity were at the forefront of the celebrations.
Pattabi Raman
Photo Essay
Journey of love
An all-India march organised by the Indian People’s Theatre Association aims to counter hate with humanity.
Vikhar Ahmed Sayeed
Photo Essay
Invisible lives
A documentation of India’s disadvantaged Dalit communities, and their unseen labour. Text by Ramjee Chandran and photographs by Asha Thadani.
Asha Thadani,
Ramjee Chandran
Photo Essay
The year in a shot
Seen through the lens, 2023 presents a lesson in resilience. Life went on—despite war and disasters.
TEAM FRONTLINE
Photo Essay
Who will mourn the Sundarbans?
The 7.7 million inhabitants of the largest mangrove forest in the world face a bleak future as coastal erosion and high tides consume their islands.
Shailendra Yashwant
PHOTO ESSAY
Mumbai: High density city
Capturing the chaos and beauty of India’s biggest city in multiple exposures.
Rahulnath S.R
More stories from Photo Essay
The 3G teacher of Namo Jamdoba
In Deepnarayan Nayak’s free school for underprivileged children in West Bengal’s Namo Jamdoba, mud walls serve as blackboards and roads as classrooms.
Sudip Maiti
The bells of Sarthebari
The death knell might be sounding for Assam’s bell metal industry, which urgently needs a helping hand to ring new life into it.
Barasha Das
Click, click, hoot, hoot: How one man photographed all species of owls in India
The Indian subcontinent is home to about 38 species of owls. One fine day, Dhiraj Singh set out to click them all. Here’s what happened.
Dhiraj Singh
Nynee Tal to Nainital: Transformation of a Himalayan hill station
While modern-day Nainital is very different from the quaint hill station it was in British times, its aesthetics and culture have broadly endured.
Chinmaya Shah,
Abhay Kapkoti
UPI: A code for all seasons
From cobblers to auto drivers, everyone accepts digital payments, which UPI makes possible.
Arindam Thokder
Violence visualised
Naveen Kishore’s ‘In a Cannibal Time’ is a photographer’s attempt to render in images scenes of intense agony and shame.
Naveen Kishore,
Vaishna Roy
The dawn men of Delhi
Town criers walk the bylanes of Old Delhi, performing the age-old task of waking up households for the Sehri meal taken at dawn through Ramzan.
Shivam Khanna
Dismantling the gaze
This volume traces the evolution of photography in South Asia from the 19th century to the present and challenges our conditioned habits of viewing.
Rahaab Allana
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