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Columns
K.Satchidanandan
Column
For a new cartography
IS a history of Indian literature possible? If so, can it strictly follow a chronological protocol? What will be the norms of its periodisation? Can i
Bhakti
Voices of dissent
Kabir's oppositional thinking has been traced by scholars like Hazari Prasad Dwivedi to Ramanand, the
K.Satchidanandan
Against religious dogmatism
THE Bhakti movement assumed new forms in the central and northern parts of India. An important attempt at creating an alternative community af
K.Satchidanandan
Spiritual revolutionaries of the South
THE Bhakti movement can be seen as a great revival and reinforcement of the
Through my window
The poet as critic
While the West has several examples of poet-critics, and even poets who were not well-known as critics did a lot of critical writing in the form of le
Literature
Of Dalit life and resistance
Dalit writing in India has come a long way since its beginnings in the late 19th century and its flowering in the closing decades of the 20th. While i
Through my window
Creative border crossings
THE unity of arts has been a major theme in philosophy since long. In ancient Indian texts like
More stories from K.Satchidanandan
The idea of home
WHILE writing these lines following a visit to the West Asia in 2004 in a poem—
Finding her voice
“ON or about December 1910 human nature changed,” wrote Virginia Woolf, one of the pioneers of 20th century feminism, in her essay “Character
Rereading Gandhi
It is in the search for the ethical foundations of democracy that we will be forced to rediscover the relevance of Gandhi.
K. Satchidanandan
Chiselled poetry
SITAKANT MAHAPATRA, one of the leading poets of India, belongs to the second generation of modernist poets in Odiya. His works have been avail
From the earth and the sky
ONE of the dubious privileges of senior writers is that they get a lot of books as gifts; I said “dubious” for many reasons. While, at times, they are
K. Satchidanandan
Critiquing nationalism
—Rabindranath Tagore
Squeezing the olives
LIFE in prison has inspired or provoked writers throughout the world to think of the deeper meanings of history, freedom and punishment and to
Dreams of a lost land
THE readers of this column may recall my earlier discussions of the poetry of north-eastern India when my focus was on the diversity of its traditions
The power of the myth
THE term “myth” is not used here exclusively or chiefly in the extended sense in which Roland Barthes uses it in his
Sri Lankan stories
IS it proper to read fiction as a form of sociological documentation? Or as ethnography, as a lot of Third World fiction seems to have been re
Living with many tongues
WALTER BENJAMIN had conceived the act of translation as one way in which human beings strive to retrieve their long-lost common tongue. The idea of an
Shared traumas
THE oldest surviving collections of Sinhala poetry in Sri Lanka date back to the 12th century. If we include the 700 verses written on the walls of Si
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