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Arts & Culture
Boycott Bollywood
Is Telugu cinema replacing Hindi as India’s favourite film industry?
It is being built up as the socially and politically desirable alternative to Bollywood.
S.V. Srinivas
Data Card
Lights, camera, right turn
Boycott calls and ultra-nationalist films show the project of weaponising Bollywood is complete.
Ramesh Chakrapani
Interview
Swara Bhaskar: ‘Boycott calls are purely agenda-driven’
The outspoken actor says the narrative around ‘Boycott Bollywood’ is a bit skewed and exaggerated.
Aditya Mani Jha
Boycott Bollywood
Bollywood legacy of utopian equality under siege
This legacy poses a threat to socially divisive projects, making it the new cultural battleground.
Ranjani Mazumdar
Boycott Bollywood - The Lede
Resident evil: Calls to boycott films are anti-cinema
These calls mimic the power of the state to suppress films, but with no set legal limits.
Lawrence Liang
Boycott Bollywood
Something is rotten: Understanding the Bollywood boycott phenomenon
Despite limited impact on the box office so far, the danger to livelihoods cannot be downplayed.
Jinoy Jose P
Retrospective
Sushil Majumdar: Forgotten legend
A new book and a documentary hope to reacquaint filmgoers with this doyen of Bengali cinema.
Suhrid Sankar Chattopadhyay
More stories from Arts & Culture
‘Forging solidarities across differences’: Nancy Adajania
The art critic says kinetic impulses guide the works assembled in ‘Woman is as Woman does’ at CSMVS.
Anupama Katakam
‘Woman is as Woman Does’: An ode to womanpower
An exhibition at the CSMVS in Mumbai goes beyond art to become a celebration of femininity.
Anupama Katakam
‘Surly face’: A Tamil story in translation
‘Sudumoonji’, translated from Tamil by V. Ramakrishnan.
C.N. Annadurai
Jean-Luc Godard: A master who redefined cinema
The most political of filmmakers of his generation, Godard was relevant and influential until the end.
Suhrid Sankar Chattopadhyay
Tracing 200 years of the history of photography in India
This book is the product of substantial research into timelines, notes, and choice of images.
Malavika Karlekar
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