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Wu Bin (active c. 1573-1620), Landscape along the Shanyin road' (1608). Handscroll, ink and colour on paper, 31.8 cm x 862.2 cm, Shanghai Museum.-BY SPECIAL ARRANGEMENT

Nature as a catalyst

The Fantastic Mountains, an international travelling exhibition on show in Singapore, presents an astounding array of hanging scrolls, handscrolls, le
K.S. SRINIVASA MURTHY

A tree dead and alive

Through a tree trunk, removed from its natural and human surroundings and placed in a new context, a Singapore artist pays tributes to transient belie
K.S. SRINIVASA MURTHY
Figure 1. Ho Ho Ying, 'Flourishing Strokes', Pigment & Ink, 140 x 74 cm.-PICTURES: HO YUE WENG

Different strokes

A major exhibition of art in Singapore based on Chinese calligraphy highlights the ways in which language, genres and images flow freely across time a
K.S. SRINIVASA MURTHY
`Sea Horse'.-PICTURES: BY SPECIAL ARRANGEMENT

Rhythms of marine life

Tay Kiam Hong's Chinese ink paintings on marine life reinterpret in remarkable ways the visual experience of pictorial space through the abstract rhyt
K.S. SRINIVASA MURTHY

Patterns of subversion

Miriam Schapiro's works put up at a University of Iowa Museum of Art exhibition reveal the visual strategies and ideological concerns of the feminist
K.S. SRINIVASA MURTHY

Visual narratives

Sixty-one of the extant 200 Hamzanama Manuscript Illustrations of the Mughal period constitute a major travelling exhibition in the West.
K.S. SRINIVASA MURTHY

'The world in a grain of sand'

An exhibition of monotype prints reveals how pictorial space lends itself to the exploration of both the visual language and the content in diverse ar
K.S. SRINIVASA MURTHY
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