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FL06BALUMAHENDRA
September 16, 1998

‘Not art for art’s sake’

BALU MAHENDRA, who wrote and directed
FL06SATYAJITRAY
Satyajit Ray

Walking tall

December 20, 1991
APRIL 5, 1985

‘I don’t jump into a film’

ADOOR GOPALAKRISHNAN, in his fourth feature film
PK

Fable for the times

PK is a film that, through an alien figure, throws up point-blank questions about religious beliefs, customs, rituals, temples of gods, priests, godme
C.S. VENKITESWARAN
FL03 sashi col 2jpg
Unmediated

Prefiguring journalistic truth-telling

AN 85-year-old film made at the cusp of the transition from the silent to the sound era—itself technically soundless, but then what we see exu
Cinema

Celluloid city

From roadside screenings of short silent films to producing big-budget films, Chennai has come a long way since 1897.
THEODORE BASKARAN
Cinema

Anatomy of romance

ROMANCE is a key ingredient of popular Hindi cinema, but its social implications have rarely been studied. This essay looks at the motif of romance an

More stories from Cinema

Boxing as a metaphor

Interview with film-maker Judhajit Sarkar.

Of loss & desperation

A new small-budget film on the underdog’s struggle for survival in Kolkata, employing a narrative technique borrowed from Thousand And One Arabian Nig
Partha Chatterjee

Songs of the soil

A video documentary pays tribute to the immense contribution of theTamil lyricist Pattukottai Kalyanasundaram, whose songs were rooted in the socialis
Ilangovan Rajasekaran
A SCENE FROM THE SATYAJIT RAY'S FILM 'PATHER PANCHALI'.

Failure of realism

When Indian art cinema, with encouragement from the state, began as a movement around 1970, it did not take its aesthetic from Pather Panchali but fro

Celebrating diversity

Yaadhum, a documentary tracing the roots of Tamil Muslims, evocatively portrays a syncretic tradition that allowed inclusiveness and peaceful coexiste
R. Ilangovan
SHOW MORE
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