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Home
Arts & Culture
Cinema
Sri Lanka
Surveillance and survival
In post-war Sri Lanka, Sinhala cinema is all about triumphal cultural nationalism. What options does a Tamil film-maker have, faced with the twin thre
SIVAMOHAN SUMATHY
Sashi Kumar
Requiem for film
WE have known for some years now that the days of film as film are numbered, that movies are being increasingly produced and delivered in the digital
Hindi Cinema
Changing values of Hindi cinema
From films highlighting moral values to those portraying “illegality as enterprise”, ethical motifs in popular Hindi cinema have undergone a tremendou
M.K. RAGHAVENDRA
Cinema
Eurasian images
The 9th Eurasia International Film Festival in Almaty, Kazakhstan, had a bouquet of memorable films.
K. Balachander
The KB school
AN hour-long discussion on his films, many of which defied established social norms and customs of the middle class, brought to the fore the c
Ilangovan Rajasekaran
Cinema's century
Contemplating a century
Mainstream Indian cinema’s hundred year spree makes for a pulsating narrative. Though it has gone from selling dreams in the initial days to commodify
Sashi Kumar
In first person: M. Karunanidhi
Cinema for a cause
THE topic “Tamil cinema in the past 100 years” takes me back 70 years to an era of transition from “silent films” to “talkies”. The “silent films”, in
More stories from Cinema
‘Cinematography has changed, so also the way films are made’
I graduated in cinematography from the Film Institute in Pune in 1969 with a gold medal. While we were at the institute, we were exposed to a lot of w
Dream merchants
The convergence of brand culture, television and stardom has forever changed the profile of the Indian film star, generating new sites for the product
Nostalgic about a bygone era
I GOT into the entertainment business when I was a small child. After Partition, my parents and I moved to Kolkata, and here we lived in dire poverty,
The long journey from Gudivada
I GUESS I am probably one of those few people who really took the plunge into performing arts in order to get out of poverty. It goes without saying t
Centenary and selective memory
WHAT I find Indian is in the “regional” cinemas of India. For instance, they go into the history of that region, language or culture closely and try t
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